How we cite our quotes: (Chapter.Paragraph)
Quote #4
"I didn't see her but a few times out in the fields and once when she was working indigo. By the time I woke up in the morning, she was in line. If the moon was bright they worked by its light. Sunday she slept like a stick. She must of nursed me two or three weeks—that's the way the others did. Then she went back in rice and I sucked from another woman whose job it was […] One thing she did do. She picked me up and carried me behind the smokehouse. Back there she opened up her dress front and lifted her breast and pointed under it. Right on her rib was a circle and a cross burnt right in the skin. She said, 'This is your ma'am. This,' and she pointed. 'I am the only one who got this mark now. The rest dead. If something happens to me and you can't tell me by my face, you can know me by this mark.' Scared me so. All I could think of was how important this was and how I needed to have something important to say back, but I couldn't think of anything so I just said what I thought. 'Yes, Ma'am,' I said. 'But how will you know me? How will you know me? Mark me, too,' I said. 'Mark the mark on me too.'" Sethe chuckled.
"Did she?" asked Denver.
"She slapped my face." (6.26-28)
For all you psychology nerds, here's a possible explanation for Sethe's form of extreme mothering: Sethe never got a chance to know or have her mother, and what she does know of her mother is a slave brand and a slap in the face. So it's no wonder she's so into nursing Denver (even when there's blood on her breast) and, before Denver, baby Beloved. Or why she so forcefully does not want to send her kids back into slavery.
Quote #5
She told Sethe that her mother and Nan were together from the sea. Both were taken up many times by the crew. "She threw them all away but you. The one from the crew she threw away on the island. The others from more whites she also threw away. Without names, she threw them. You she gave the name of the black man. She put her arms around him. The others she did not put her arms around. Never. Never. Telling you. I am telling you, small girl Sethe. (6.36)
Feel like weeping right now? We sure do. This is Old Nan, the nursing slave, telling Sethe how special Sethe was to her mother. Morrison emphasizes the power of the scene by letting Nan speak in her own style of broken English. How else does speech style affect the novel?
Quote #6
The last of her children, whom she barely glanced at when he was born because it wasn't worth the trouble to try to learn features you would never see change into adulthood anyway. Seven times she had done that: held a little foot; examined the fat fingertips with her own—fingers she never saw become the male or female hands a mother would recognize anywhere. She didn't know to this day what their permanent teeth looked like; or how they held their heads when they walked. Did Patty lose her lisp? What color did Famous' skin finally take? Was that a cleft in Johnny's chin or just a dimple that would disappear soon's his jawbone changed? Four girls, and the last time she saw them there was no hair under their arms. Does Ardelia still love the burned bottom of bread? All sever were gone or dead. What would be the point of looking too hard at the youngest one? But for some reason they let her keep him. He was with her—everywhere. (15.17)
Remember how Sethe reflects a daughter who never knew her mother? Well Baby Suggs has a truncated recollection of her own children. If you haven't noticed by now, mothering is a huge issue in Beloved. So here's a question for you: In the absence of parenting, can you still have a family?