How we cite our quotes: Citations follow this format: (Chapter.Paragraph)
Quote #7
"My dear Caddy!" said Mr. Jellyby, looking slowly round from the wail. It was the first time, I think, I ever heard him say three words together.
"Yes, Pa!" cried Caddy, going to him and embracing him affectionately.
"My dear Caddy," said Mr. Jellyby. "Never have--"
"Not Prince, Pa?" faltered Caddy. "Not have Prince?"
"Yes, my dear," said Mr. Jellyby. "Have him, certainly. But, never have--"
I mentioned in my account of our first visit in Thavies Inn that Richard described Mr. Jellyby as frequently opening his mouth after dinner without saying anything. It was a habit of his. He opened his mouth now a great many times and shook his head in a melancholy manner.
"What do you wish me not to have? Don't have what, dear Pa?" asked Caddy, coaxing him, with her arms round his neck.
"Never have a mission, my dear child." (30.75-82)
Oh jeez, what a totally destroyed guy Mr. Jellyby is! Still, it's one of the oldest tricks in the book: if you have a character who remains almost entirely silent, the one thing that comes out of his mouth will be totally revelatory. Is there any better summary for how the Jellybys went off the rails?
Quote #8
"But is the secret safe so far?" I asked. "Is it safe now, dearest mother?"
"No," replied my mother. "It has been very near discovery. It was saved by an accident. It may be lost by another accident--to-morrow, any day."
"Do you dread a particular person?"
"Hush! Do not tremble and cry so much for me. I am not worthy of these tears," said my mother, kissing my hands. "I dread one person very much."
"An enemy?"
"Not a friend. One who is too passionless to be either. He is Sir Leicester Dedlock's lawyer, mechanically faithful without attachment, and very jealous of the profit, privilege, and reputation of being master of the mysteries of great houses." [...]
"Has he so little pity or compunction?"
"He has none, and no anger. He is indifferent to everything but his calling. His calling is the acquisition of secrets and the holding possession of such power as they give him, with no sharer or opponent in it." (36.39-50)
Many characters try to figure out what principles are driving Tulkinghorn. Here Lady Dedlock paints him as an unstoppable, barely human form of evil, "mechanical" and "indifferent." The scariest bad guys tend to be motiveless and emotionless – think Shakespeare's Iago from Othello, the Borg from Star Trek, or that planet-brain from Solaris. The less we understand them, the scarier they are.
Quote #9
The one great principle of the English law is to make business for itself. There is no other principle distinctly, certainly, and consistently maintained through all its narrow turnings. Viewed by this light it becomes a coherent scheme and not the monstrous maze the laity are apt to think it. Let them but once clearly perceive that its grand principle is to make business for itself at their expense, and surely they will cease to grumble. (39.4-6)
This really threw down the gauntlet when Dickens printed it. There were a bazillion letters to the editor in the Times complaining about how unfair this was, how it paints lawyers with too broad a brush, how lawyers are totally principled and honest people, and any number of other indignant declarations. And yet the bad reputation of lawyers persists to this day.