How we cite our quotes: Citations follow this format: (Section.Paragraph)
Quote #7
Jasmine, the elder daughter, resembled Kismine in appearance—except that she was somewhat bow-legged, and terminated in large hands and feet—but was utterly unlike her in temperament. Her favorite books had to do with poor girls who kept house for widowed fathers. John learned from Kismine that Jasmine had never recovered from the shock and disappointment caused her by the termination of the World War, just as she was about to start for Europe as a canteen expert. She had even pined away for a time, and Braddock Washington had taken steps to promote a new war in the Balkans—but she had seen a photograph of some wounded Serbian soldiers and lost interest in the whole proceedings. (8.2)
We start to see how wealth can be a sort of prison for the elite themselves. Jasmine appears to be trapped in a world that holds no value for her.
Quote #8
Braddock Washington, so Percy told him, had caused to be kidnapped a landscape gardener, an architect, a designer of state settings, and a French decadent poet left over from the last century. He had put his entire force of negroes at their disposal, guaranteed to supply them with any materials that the world could offer, and left them to work out some ideas of their own. But one by one they had shown their uselessness. The decadent poet had at once begun bewailing his separation from the boulevards in spring—he made some vague remarks about spices, apes, and ivories, but said nothing that was of any practical value. The stage designer on his part wanted to make the whole valley a series of tricks and sensational effects—a state of things that the Washingtons would soon have grown tired of. And as for the architect and the landscape gardener, they thought only in terms of convention. They must make this like this and that like that. (8.3)
"The Diamond as Big as the Ritz" shows us the difficulty of taking by force and imprisonment. All the wealth in the world doesn't necessarily mean that one can get what they want – or so Braddock should learn.
Quote #9
"It's impossible to be both [free and poor] together," said John grimly. "People have found that out. And I should choose to be free as preferable of the two. As an extra caution you'd better dump the contents of your jewel box into your pockets." (9.29)
At the end of the story, John is free (in the sense that he escaped from the château), but poor (because Kismine brought rhinestones instead of diamonds). Does this mean his claim here is false? Is he wealthy in some other way at the end of the story? Or is he trapped in some way at the end of the story?