How we cite our quotes: (Part.Chapter.Paragraph)
Quote #7
Papa already knew the car he'd put money on before Pearl Harbor had been repossessed. And, as he suspected, no record of his fishing boats remained. This put him right back where he'd been in 1904, arriving in a new land and starting over from economic zero. It was another snip of the castrator's scissors, and he never really recovered from this, either financially or spiritually. (2.19.12-13)
Nothing can be clearer than when you use words like "castrator's scissors." Do you think our narrator is being a little overdramatic here? Or is her language just right?
Quote #8
His failures were sharpened, in an odd way, by Woody's return. He came back from Japan with his mustache thicker and bearing a sword that had been in the family for 300 years - a gift from Aunt Toyo. He brought other trophies, painted scrolls, lacquered trays - things he would have valued only slightly before the war. All of this delighted Papa, filled him with pride for his son who had returned a larger man, with a surer sense of himself and of where we all had come from. Yet while Woody grew, Papa seemed to shrink, losing potency. Their roles had been reversed. Before the war he had been the skipper. Now he depended more and more on Woody, who had youth and a citizen's mobility, who could license the boat or cross borders easily. (2.20.27)
This is like the Oedipal complex slowly coming true, only without the whole son-marries-the-mother side plot. Woody's overtaken Papa as the man of the family. Would this all eventually have happened anyway, with or without internment? Is this just a natural result of getting older?
Quote #9
A few days before we left Manzanar Papa decided that since we had to go, we might as well leave in style, and by our own volition. He broke free of the lethargy that had nailed him to our steps for months. He grabbed his Bismarck walking stick and took off, almost at a run, heading for Lone Pine to buy himself a car. Mama tried to talk him out of this. Traveling by bus made much more sense, she said. It was faster, and we'd be there in a day. He snorted with disdain at her advice. (2.19.1)
Papa really doesn't come off looking good most of the time in Jeanne's story. But then again, the story is told from Jeanne's perspective—not only is she female, but she's also always either a kid or an adult looking back on her childhood experiences. What might this whole scene look like from Papa's perspective?