Much Ado About Nothing Claudio Quotes

Claudio > Hero

Quote 13

CLAUDIO
Let me but move one question to your daughter,
And by that fatherly and kindly power
That you have in her, bid her answer truly.
LEONATO
I charge thee do so, as thou art my child.
HERO
O, God defend me! How am I beset!—
What kind of catechizing call you this? (4.1.77-82)

This is a difficult passage to read, as it’s the first instance where Leonato chooses Claudio’s word over his daughter’s. He demands that Hero answer Claudio’s question, indicating that he’s already trusting Claudio instead of defending his daughter. Ultimately, this episode is sickening because of our intuition that Leonato’s role—because he knows his daughter and her honor—is to stand up for her, not to indulge Claudio in this public spectacle. 

Hero’s reputation is on the line, and in the end, as a woman, her word isn’t worth much against a man’s. This episode reminds us of the constant cuckoldry jests in the play. Though they were jokes, they seriously refer to the distrust men had for their wives, and we’d bet it also makes them hesitate to stand up for their daughters.

Claudio

Quote 14

CLAUDIO
For thee I'll lock up all the gates of love
And on my eyelids shall conjecture hang,
To turn all beauty into thoughts of harm,
And never shall it more be gracious. (4.1.110-113)

Claudio isn’t only disgusted by the acts he thinks Hero has committed, but it’s clear he thinks that his own pride is wounded by almost marrying such a woman. He feels he’s been deceived about love in general, and this (perhaps more than her betrayal) is what wounds him. These words are particularly important, as they are his parting comments before leaving Hero for dead.

Claudio

Quote 15

CLAUDIO
I know not how to pray your patience,
Yet I must speak. Choose your revenge yourself.
Impose me to what penance your invention
Can lay upon my sin. Yet sinned I not
But in mistaking. (5.1.283-287)

Claudio is really outrageous here – he’s just found out he wrongfully accused Hero and he thinks he caused her death. Instead of just hanging his head in shame and being sorry, he feels the need to point out that he was misled, so none of this was really his fault. It seems Claudio is more concerned with protecting his pride than mourning over his part in Hero’s death. Even that he’s willing to submit himself to punishment seems more about the appropriate formalities of dealing with his wrong than any actual regret or repentance he has.