How we cite our quotes: Citations follow this format: (Book.Paragraph)
Quote #4
"Did you bring the paper?"
"Suh?"
"Didn’t the relief give you a note to me?"
"Oh, yessuh!"
He had completely forgotten about the paper. He stood to reach into his vest pocket and, in doing so, dropped his cap. For a moment his impulses were deadlocked; he did not know if he should pick up his cap and then find the paper, or find the paper and then pick up his cap. He decided to pick up his cap.
"Put your cap here," said Mr. Dalton, indicating a place on his desk.
"Yessuh."
Then he was stone-still; the white cat bounded past him and leaped upon the desk; it sat looking at him with large placid eyes and mewed plaintively.
"What’s the matter, Kate?" Mr. Dalton asked, stroking the cat’s fur and smiling. Mr. Dalton turned back to Bigger. "Did you find it?"
"Nawsuh. But I got it here, somewhere."
He hated himself at that moment. Why was he acting and feeling this way? He wanted to wave his hand and blot out the white man who was making him feel this. If not that, he wanted to blot himself out. He had not raised his eyes to the level of Mr. Dalton’s face once since he had been in the house. He stood with his knees slightly bent, his lips partly open, his shoulders stooped; and his eyes held a look that went only to the surface of things. There was an organic conviction in him that this was the way white folks wanted him to be when in their presence; none had ever told him that in so many words, but their manner had made him feel that they did. He laid the cap down, noticing that Mr. Dalton was watching him closely. Maybe he was not acting right? Goddamn! Clumsily, he searched for the paper. He could not find it at first and he felt called upon to say something for taking so long. (1.694-704)
Even an ordinary interaction with a white man changes Bigger’s demeanor. He believes they want him to behave in a certain way – like life was too hard for him to bear, like they could be the great white knight who made his burden easier to bear. Does Bigger really have to act the way he does?
Quote #5
"Mr. Dalton’s a fine man," Peggy said.
"Oh, yessum. He is."
"You know, he does a lot for your people."
"My people?" asked Bigger, puzzled.
"Yes, the colored people. He gave over five million dollars to colored schools."
"Oh!"
"But Mrs. Dalton’s the one who’s really nice. If it wasn’t for her, he would not be doing what he does. She made him rich. She had millions when he married her. Of course, he made a lot of money himself afterwards out of real estate. But most of the money’s hers. She’s blind, poor thing. She lost her sight ten years ago. Did you see her yet?"
"Yessum."
"Was she alone?"
"Yessum."
"Poor thing! Mrs. Patterson, who takes care of her, is away for the week-end and she’s all alone. Isn’t it too bad, about her?"
"Oh, yessum," he said, trying to get into his voice some of the pity for Mrs. Dalton that he thought Peggy expected him to feel.
"It’s really more than a job you’ve got here," Peggy went on. "It’s just like home. I’m always telling Mrs. Dalton that this is the only home I’ll ever know. I wasn’t in this country but two years before I started working here. . . ."
"Oh," said Bigger, looking at her.
"I’m Irish, you know," she said. "My folks in the old country feel about England like the colored folks feel about this country. So I know something about colored people. Oh, these are fine people, fine as silk. Even the girl. Did you meet her yet?" (1.874-888)
Peggy explains her belief that the Daltons do a lot for "your people," meaning black people. She subconsciously separates herself from Bigger, including herself with the Daltons, indicating that color of skin separates people more than social class does.
Quote #6
Bigger extended a limp palm, his mouth open in astonishment. He felt Jan’s fingers tighten about his own. He tried to pull his hand away, ever so gently, but Jan held on, firmly, smiling.
"We may as well get to know each other," Jan said. "I’m a friend of Mary’s."
"Yessuh," he mumbled.
"First of all," Jan continued, putting his foot upon the running-board, "don’t say sir to me. I’ll call you Bigger and you’ll call me Jan. That’s the way it’ll be between us. How’s that?"
Bigger did not answer. Mary was smiling. Jan still gripped his hand and Bigger held his head at an oblique angle, so that he could, by merely shifting his eyes, look at Jan and then out into the street whenever he did not wish to meet Jan’s gaze. He heard Mary laughing softly.
"It’s all right, Bigger" she said. "Jan means it."
He flushed warm with anger. Goddamn her soul to hell! Was she laughing at him? Were they making fun of him? What was it that they wanted? Why didn’t they leave him alone? He was not bothering them. Yes, anything could happen with people like these. His entire mind and body were painfully concentrated into a single sharp point of attention. He was trying desperately to understand. He felt foolish sitting behind the steering wheel like this and letting a white man hold his hand. What would people passing along the street think? He was very conscious of his black skin and there was in him a prodding conviction that Jan and men like him had made it so that he would be conscious of that black skin. Did not white people despise a black skin? Then why was Jan doing this? Why was Mary standing there so eagerly, with shining eyes? What could they get out of this? Maybe they did not despise him? But they made him feel his black skin by just standing there looking at him, one holding his hand and the other smiling. He felt he had no physical existence at all right then; he was something he hated, the badge of shame which he knew was attached to a black skin. It was a shadowy region, a No Man’s Land, the ground that separated the white world from the black that he stood upon. He felt naked, transparent; he felt that this white man, having helped to put him down, having helped to deform him, held him up now to look at him and be amused. At that moment he felt toward Mary and Jan a dumb, cold, and inarticulate hate.
"Let me drive awhile," Jan said, letting go of his hand and opening the door.
Bigger looked at Mary. She came forward and touched his arm.
"It’s all right, Bigger," she said.
He turned in the seat to get out, but Jan stopped him.
"No; stay in and move over."
He slid over and Jan took his place at the wheel. He was still feeling his hand strangely; it seemed that the pressure of Jan’s fingers had left an indelible imprint. Mary was getting into the front seat, too.
"Move over, Bigger," she said.
He moved closer to Jan. Mary pushed herself in, wedging tightly between him and the outer door of the car. There were white people to either side of him; he was sitting between two vast white looming walls. Never in his life had he been so close to a white woman. He smelt the odor of her hair and felt the soft pressure of her thigh against his own. (1.1025-1039)
Though Jan and Mary are trying to treat Bigger as an equal, he believes they’re making fun of him. This scene, like the one previous to it, demonstrates how different black and white cultures are, and how little Mary, Jan, and Bigger comprehend those differences.