However, as Porthos had first found an idea, and had thought of it earnestly afterward, he was the first to act. He was a man of execution, this worthy Porthos. D’Artagnan perceived him one day walking toward the church of St. Leu, and followed him instinctively. He entered, after having twisted his mustache and elongated his imperial, which always announced on his part the most triumphant resolutions. As d’Artagnan took some precautions to conceal himself, Porthos believed he had not been seen. D’Artagnan entered behind him. Porthos went and leaned against the side of a pillar. D’Artagnan, still unperceived, supported himself against the other side.

There happened to be a sermon, which made the church very full of people. Porthos took advantage of this circumstance to ogle the women. Thanks to the cares of Mousqueton, the exterior was far from announcing the distress of the interior. His hat was a little napless, his feather was a little faded, his gold lace was a little tarnished, his laces were a trifle frayed; but in the obscurity of the church these things were not seen, and Porthos was still the handsome Porthos.

D’Artagnan observed, on the bench nearest to the pillar against which Porthos leaned, a sort of ripe beauty, rather yellow and rather dry, but erect and haughty under her black hood. The eyes of Porthos were furtively cast upon this lady, and then roved about at large over the nave.

On her side the lady, who from time to time blushed, darted with the rapidity of lightning a glance toward the inconstant Porthos; and then immediately the eyes of Porthos wandered anxiously. It was plain that this mode of proceeding piqued the lady in the black hood, for she bit her lips till they bled, scratched the end of her nose, and could not sit still in her seat.

Porthos, seeing this, retwisted his mustache, elongated his imperial a second time, and began to make signals to a beautiful lady who was near the choir, and who not only was a beautiful lady, but still further, no doubt, a great lady--for she had behind her a Negro boy who had brought the cushion on which she knelt, and a female servant who held the emblazoned bag in which was placed the book from which she read the Mass.

The lady with the black hood followed through all their wanderings the looks of Porthos, and perceived that they rested upon the lady with the velvet cushion, the little Negro, and the maid-servant.

During this time Porthos played close. It was almost imperceptible motions of his eyes, fingers placed upon the lips, little assassinating smiles, which really did assassinate the disdained beauty.

Then she cried, "Ahem!" under cover of the MEA CULPA, striking her breast so vigorously that everybody, even the lady with the red cushion, turned round toward her. Porthos paid no attention. Nevertheless, he understood it all, but was deaf.

The lady with the red cushion produced a great effect--for she was very handsome--upon the lady with the black hood, who saw in her a rival really to be dreaded; a great effect upon Porthos, who thought her much prettier than the lady with the black hood; a great effect upon d’Artagnan, who recognized in her the lady of Meung, of Calais, and of Dover, whom his persecutor, the man with the scar, had saluted by the name of Milady.