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American Literature: Huckleberry Finn: Road Trip 10416 Views
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- Literature / American Literature
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- 19th-Century Literature / 19th-Century American Literature
- American Literature / 19th-Century American Literature
- Literature / 19th-Century Literature
- 19th-Century Literature / All 19th-Century Literature
Transcript
- 00:02
Like a road trip but wetter....
- 00:28
A lot of The Adventures of Huckleberry Finn take place on me the [River discussing Huckleberry Finn]
- 00:32
Mississippi River there's plenty of action along the way scoundrels, thieves
- 00:37
and slave hunters to dodge but what are we really doing out here besides all [Jim and Finn standing on a raft]
- 00:42
that well we're on what literary types like to refer to as the road trip motif
Full Transcript
- 00:47
just when you thought road trips were all about spring break in the wide world [Man in a swimming pool and his trunks float away]
- 00:51
of storytelling the road trip serves several purposes first and foremost it's
- 00:56
a way of using the hero's journey archetype which stories have used since
- 01:00
stories first started being a you know a thing think odysseus, Star Wars, the Bible
- 01:06
or even Batman well the hero's journey follows a basic
- 01:10
formula the hero gets a call to adventure they meet up with a mentor or [Adventure calling a cell phone]
- 01:14
guardian encounter challenges all along the way undergo some sort of
- 01:19
transformation usually a spiritual one then they go back home the end clearly [Woman exits a taxi and walks towards home]
- 01:25
Twain made use of this classic archetype when writing Huck Finn, Hucks the hero
- 01:29
Jim and the civilized folks are the mentors the river journey is the action
- 01:34
and the Dukan King business along with the feuding families certainly caused
- 01:39
conflict and Huck has his crisis of conscience when he realizes that the [Huck gasps as Jim fades travels away on a raft]
- 01:44
right thing to do is let Jim be a free man and then they go back home nope that
- 01:49
part doesn't happen no one said the archetype has to stick to its formula
- 01:52
like chaw on your shoe.. Twain deviates from the traditional hero's journey by
- 01:57
letting Huck ride you know float off into the sunset instead of [Huck and Jim floating into sunset]
- 02:01
returning home to his hateful abusive father also Pap, his father's dead now
- 02:06
well that wouldn't really work anyway would it? Twain also used the road trip
- 02:10
slash hero's journey idea as a tool of characterization
- 02:13
think about it the United States is a big place and different types of
- 02:18
people live in different regions of the country like you know Eskimos in Alaska [Group of eskimos in Alaska]
- 02:23
beach bums in Florida and farmers Midwest well not only do people believe
- 02:28
in slightly different things or wear different clothes they speak in
- 02:32
different ways as well so as Huck and Jim travel downstream on [Huck and Jim travelling downstream on a raft]
- 02:35
the mighty Mississippi they encounter different folks with different lives and
- 02:38
way different ways of speaking like these choice phrases from chapter 12 and
- 03:01
what? come again this isn't nonsense it's what [Mississippi river discussing book]
- 03:07
we like to call dialect language that you'll only hear in a certain part of
- 03:10
the world or spoken by a specific set of people
- 03:13
here's another....
- 03:23
Well first of all only those civilized folks call
- 03:26
Huck by his full first name that tells us something about who's speaking here
- 03:30
we can also tell that's character speaking is an authority figure since [Miss Watson appears]
- 03:33
they're throwing down commands like nobody's business and the character has
- 03:36
something of an education because Twain didn't write them by using a specific
- 03:40
dialect what we're reading is more or less basic English dialect is a fun
- 03:44
little way to characterize a character's because it lets the reader know all [Person picks up Huckleberry Finn book]
- 03:49
sorts of traits about them without the author coming right out and saying these
- 03:53
things... In those delightful first passages above the characters are
- 03:56
lowdown murderous, thieving fools aka bad guys...Twain writes this dialogue in a
- 04:02
dialect that shows they're uneducated and in this case they're clearly up to
- 04:06
no good but just because these fools were foolish it doesn't mean that they [Image of man pointing a gun at a man on the floor]
- 04:11
didn't also have some wise things to say being uneducated doesn't necessarily
- 04:16
equate to being unwise and in the second example miss Watson is ordering Huck
- 04:20
around using his full name to show that she means business..Here's a
- 04:24
third example, this is the way Twain wrote Jim's dialect...
- 04:48
....now when we know Jim's a slave
- 04:50
which means he's not been allowed the chance to have any education..The other
- 04:53
really important thing to note about the way Twain wrote the very dialect is that [Dialect floating in river]
- 04:57
besides being a super effective tool of characterization it's also how he's
- 05:02
created a voice for the books narrator Huck himself...
- 05:05
Huck's a kid and he's been through some tough stuff in life these are factors
- 05:10
which shape how he sees the world around him and how he tells the tale of his
- 05:14
experiences were an older more civilized narrator the telling this story it would
- 05:19
have to be written in a totally different way probably like how much [Miss Watson appears as Huck is sitting at a table with a bowl of food]
- 05:22
Watson speaks we lose a lot of the characterization as it stands now so
- 05:26
it's a good thing Twain opted to write this story in the way that he did even
- 05:29
though Twain differentiates the characters through dialect his
- 05:32
underlying commentary and a major theme in this book is that people are alike [Girl flicking through a book]
- 05:37
everywhere we made different thoughts morals, molars and the way we speak
- 05:42
everyone lets their own preconceptions color their approach to the world the [Girl wearing 3D glasses in a movie theater]
- 05:47
road trip or river trip more accurately here
- 05:50
let's Twain show us that people are alike all over they never look past
- 05:54
their front yard as the king so eloquently says...
- 06:06
What he means is that fools are everywhere no [Man sits down on a train and a clown appears]
- 06:08
matter where you go..they're they are... well above all the road trip story
- 06:12
is very American it takes a hero's journey but puts a
- 06:15
very red white and blue spin on it America is a big country lots of roads [Cars travelling down a highway]
- 06:19
lots of rivers lots of things to see we spent most of the 19th century
- 06:24
stampeding madly towards California in what's known as a national road trip
- 06:29
that took up a huge chunk of our history it's no wonder that Twain used it as a
- 06:34
blueprint to talk about American life and values you know for
- 06:37
better or worse tons of other writers have done the same in fact you can
- 06:41
probably find a road trip story to fit every mood
- 06:44
Steinbeck did it with The Grapes of Wrath and travels with Charlie... Kerouac [Road trip book examples appear]
- 06:48
did it with on the road you can even go with Fear and Loathing in Las Vegas or
- 06:53
the electric kool-aid acid test if drug abuse by proxy is your thing all of them
- 06:58
took at least some of their cues and inspiration from Huck Finn not just
- 07:01
because it's a seriously great story but because here on the Mississippi we do [Mississippi river transforms into a hypnotic trance]
- 07:06
trippin' in the right way
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