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ELA 12: 5.1 Meet Jane 15 Views
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Description:
Free indirect discourse? What a fascinating approach to fiction-writing!
Transcript
- 00:01
No there are a number of reasons jane austen was
- 00:04
on the cutting edge of literature She was a pioneer
- 00:07
in terms of writing about ordinary women struggles with money
- 00:10
and class and she really helped to find their struggles
- 00:13
to stay awake during some of the boring dances they
Full Transcript
- 00:15
were subject to do Austin was also ahead of the
- 00:18
curve in her use of free indirect discourse I understand
- 00:23
that concept we need to think about narrators well in
- 00:26
early novels narrative we're usually characters in the novels who
- 00:29
happen to be telling the story sometimes by recording the
- 00:32
events of the story in letters as if being a
- 00:35
character in the story wasn't hard enough and no they
- 00:37
didn't get paid more for the extra work We call
- 00:40
these kinds of narrators homo dia jet iq and note
- 00:44
that dia jesus means world of the story and homo
- 00:47
means same in other words a narrator that exists in
- 00:50
the same world as the story Pretty nice when words
- 00:53
mean exactly what you want him to know What a
- 00:56
rare treat Well jane austen however doesn't use thes homo
- 00:59
dietetic narrators but rather hetero dietetic one's narrators who exist
- 01:05
In a different world than the ones where the story
- 01:07
takes place I'ii a free floating non character tells the
- 01:11
story so the characters in the story can just sit
- 01:14
back and chillax by using a hetero die jet iq
- 01:17
Narrator austin is also able to use free indirect discourse
- 01:21
which combines the narrator's voice with the character's voice Even
- 01:24
though the hetero dietetic narrator isn't tied to the reports
- 01:27
of anyone in particular it can slip into the thoughts
- 01:30
and perspectives of characters without even having to use quotation
- 01:33
marks or clunky indicators like she thought Or he said
- 01:36
or she whispered stealthily And we can probably all agree
- 01:40
that the best literature involved a little clunkiness as possible
- 01:43
right Well we can see the technique in action if
- 01:45
we take a look at this excerpt from pride and
- 01:47
prejudice Well it starts off with a bit of objective
- 01:50
description There isn't really any character being injected into this
- 01:54
bit of narration even ascension hat stand could've told us
- 01:57
that But at the end there's a slight shift We
- 02:00
no longer have a voiceless objective Narrator there's now opinion
- 02:04
creeping in to be specific the opinion of the towns
- 02:07
People Well as we could see free indirect discourse allows
- 02:10
austin to narrate without using a particular character as the
- 02:14
narrator while still managing to insert the opinions of characters
- 02:17
or even groups of characters without free indirect discourse she
- 02:20
might have used each individual towns person to give their
- 02:23
own personal account of mr bingley which would have threatened
- 02:26
to stretch private prejudice from a long novel to ah 00:02:29.4 --> [endTime] long
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