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Women's Literature 15 Aphra Behn 114 Views
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Transcript
- 00:00
Thank you We sneak After ben what's orinoco about i'll
- 00:10
ashman orinoco this king who isn't slaves Yeah and him
- 00:15
leading this revolt to be reunited with my beloved it's
- 00:18
Unique because she's quite sympathetic towards these characters that otherwise
- 00:24
english citizens would think of as savage Yeah hate using
Full Transcript
- 00:29
that word But that is the wear it Hey what
- 00:32
about of them A savages But instead orinoco is regal
- 00:35
and principled and brave Yeah smart it's In fact the
- 00:41
people are enslaving him who are in the wrong total
- 00:44
upending of values there In fact the ending is what's
- 00:47
really savage right He's dismembered Smoking a pipe is like
- 00:51
a very disturbing scene at the end This idea that
- 00:54
like actually this grand royalty can be found in different
- 00:59
races in different places in order to get this point
- 01:02
across One thing that's really interesting is that after bain
- 01:05
frames this as a true story It's based on some
- 01:08
of her true experiences but it's not strictly true And
- 01:11
yet she says that it that's really interesting as well
- 01:15
because it not only positions This is a true story
- 01:19
But i think it's positions after bain has very much
- 01:21
in conversation with male Writers of our time the frame
- 01:25
narrative was such a common device in this period insisting
- 01:29
to people that fictional narratives were true that's when you
- 01:32
did you're a writer and she's also applying the travel
- 01:36
writing was so hip at the time and you're doing
- 01:39
travel right and again it was mostly men right Of
- 01:43
course because men were the ones that had the right
- 01:44
to kind of traits around europe and asia Africa i'm
- 01:49
collecting stories and bring back all the like exotic things
- 01:53
they found so it's meaningful that she's a starting herself
- 01:56
as a woman of the world Who's had experience who's
- 01:58
been to suriname I think they never really you're critical
- 02:00
consensus about whether she was even there Like her biography
- 02:03
is super fuzzy because she's fictionalized it But she uses
- 02:07
what she claimed for her real experience Yeah and we
- 02:10
know for a fact that she was sent to antwerp
- 02:13
is a spy by king I mean she definitely wass
- 02:16
she had a super exciting life and choose very brilliant
- 02:18
with like some strange unusual goings on difficult situation She
- 02:23
doesn't usually write novels or novellas right She's known as
- 02:26
a playwright you know This is in the sixteen hundreds
- 02:29
right We think of like shakespeare the very end of
- 02:33
the sixteenth century the beauty of the seventeenth century So
- 02:35
she is coming into her own with restoration drama which
- 02:38
is what's Succeeding the kind of shakespearean era and is
- 02:41
very popular on the stage is making her own living
- 02:44
getting herself out of debt writing plays for the stage
- 02:47
that actually being pretty successful What's orinoco about what's a
- 02:53
frame narrative Why does ben say our new Who is
- 02:56
a true story It's A true story on ly the 00:03:03.24 --> [endTime] names events and locations were changed
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