He was waiting to be fed, looking sideways through the bars that he might see the further down the stairs, with much of the expression of a wild beast in similar expectation. But his eyes, too close together, were not so nobly set in his head as those of the king of beasts are in his, and they were sharp rather than bright--pointed weapons with little surface to betray them. They had no depth or change; they glittered, and they opened and shut. So far, and waiving their use to himself, a clockmaker could have made a better pair. He had a hook nose, handsome after its kind, but too high between the eyes by probably just as much as his eyes were too near to one another. For the rest, he was large and tall in frame, had thin lips, where his thick moustache showed them at all, and a quantity of dry hair, of no definable colour, in its shaggy state, but shot with red. The hand with which he held the grating (seamed all over the back with ugly scratches newly healed), was unusually small and plump; would have been unusually white but for the prison grime.

The other man was lying on the stone floor, covered with a coarse brown coat.

'Get up, pig!' growled the first. 'Don't sleep when I am hungry.'

'It's all one, master,' said the pig, in a submissive manner, and not without cheerfulness; 'I can wake when I will, I can sleep when I will. It's all the same.'

As he said it, he rose, shook himself, scratched himself, tied his brown coat loosely round his neck by the sleeves (he had previously used it as a coverlet), and sat down upon the pavement yawning, with his back against the wall opposite to the grating.

'Say what the hour is,' grumbled the first man.

'The mid-day bells will ring--in forty minutes.' When he made the little pause, he had looked round the prison-room, as if for certain information.

'You are a clock. How is it that you always know?'

'How can I say? I always know what the hour is, and where I am. I was brought in here at night, and out of a boat, but I know where I am. See here! Marseilles harbour;' on his knees on the pavement, mapping it all out with a swarthy forefinger; 'Toulon (where the galleys are), Spain over there, Algiers over _there_. Creeping away to the left here, Nice. Round by the Cornice to Genoa. Genoa Mole and Harbour. Quarantine Ground. City there; terrace gardens blushing with the bella donna. Here, Porto Fino. Stand out for Leghorn. Out again for Civita Vecchia, so away to--hey! there's no room for Naples;' he had got to the wall by this time; 'but it's all one; it's in there!'

He remained on his knees, looking up at his fellow-prisoner with a lively look for a prison. A sunburnt, quick, lithe, little man, though rather thickset. Earrings in his brown ears, white teeth lighting up his grotesque brown face, intensely black hair clustering about his brown throat, a ragged red shirt open at his brown breast. Loose, seaman-like trousers, decent shoes, a long red cap, a red sash round his waist, and a knife in it.

'Judge if I come back from Naples as I went! See here, my master! Civita Vecchia, Leghorn, Porto Fino, Genoa, Cornice, Off Nice (which is in there), Marseilles, you and me. The apartment of the jailer and his keys is where I put this thumb; and here at my wrist they keep the national razor in its case--the guillotine locked up.'

The other man spat suddenly on the pavement, and gurgled in his throat.