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American Literature: Modernism 3111 Views
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Transcript
- 00:02
modernism - Ezra Pound
- 00:13
Robert Frost - Elizabeth Bishop all right Harvard problem well
- 00:23
[A talking blue phone box] time is a pretty weird concept the past is full of cave people kings and
- 00:29
queens and people hanging out in Coliseums in the future is going to be
- 00:33
all about robot spaceships and flying cars but present-day reality is always
Full Transcript
- 00:37
different depending on what time you're living in modern means different things [Busy traffic jam]
- 00:41
to different people like in the 1980s modern was having a cell phone like any
- 00:46
cell phone and in 2010 modern means staying up to speed on the latest apps
- 00:52
that track your calories or how many steps there are between your room and [People gathering at an ice cream van]
- 00:56
the nearest ice-cream vendor around the end of the 19th and beginning of the
- 00:59
20th centuries an entire literary and artistic movement was dubbed modernism
- 01:05
some quintessential examples now Ulysses by James Joyce and TS Eliot's epic poem
- 01:11
The Waste Land both deal a lot with personal identity while this period is [kid dressed as an astronaut]
- 01:16
often said to have started around 1890 and ended roughly around 1945 and
- 01:21
remember another little world-changing event that ended around that time yeah
- 01:25
World War two the big one which also means that World War one took place
- 01:29
during the modernist period so two world wars happen during this time I think [Machine guns firing]
- 01:34
that might have affected the way authors were writing and artists were creating
- 01:38
hmm yeah the writers and artists of the modernist era were quite interested in
- 01:42
exploring the idea of self and coming to grips with what this might mean well in
- 01:47
doing this self-examination modernist writers made conscious efforts to break [Skull x-ray picture in front of girls face]
- 01:52
away from previous literary and social conventions and deliberately chose to
- 01:56
write in new and at the time unconventional ways modernist literature [business man using a typewriter]
- 02:01
is marked by fragmented sometimes tricky to follow narratives the stylistic
- 02:06
choice echoes the disjointed state of society in the wake of the big wars
- 02:11
additionally the writing moved away from traditions in societal norms like gender [little girl playing the piano]
- 02:15
roles and practices such as religion modernist writers really paid attention
- 02:19
to advancements in psychology philosophy and in politics they took these new
- 02:27
theories and advancements to heart as grand new truths and used this info
- 02:32
to shape what they were writing loss and self-consciousness were major themes
- 02:37
in modernist literature these writers used allusions multiple perspectives and
- 02:42
nonlinear time sequencing to create a type of literature that hadn't been seen [exploding head]
- 02:48
ever before modernist Lit differs from postmodern
- 02:51
lit the era of writing that followed it and has often talked about as a reaction
- 02:56
to modernism postmodern authors threw it back to the styles and convention used [woman throwing her drink in a mans face]
- 03:02
in the days of literature before modernism while modernist whole-heartedly
- 03:06
believed in the theoretical information coming from the sciences post modernist
- 03:11
said this stuff might or might not be true and we don't really care so who [geeky guy wearing glasses and a scarf]
- 03:17
were these modernist writers well the godfather of the movement was Ezra Pound
- 03:22
Pound is notorious for saying make it new which became like a battle cry among
- 03:27
modernist writers he was responsible for creating a poetry movement called
- 03:31
imagism which was all about using very detailed and specific images you know
- 03:36
kind of the bread and butter of modern poetry yeah Pound did that he was also [buttering bread]
- 03:40
really helpful in promoting the work of his peers Pound
- 03:44
aided in launching the careers of amazing writers Robert Frost who we'll [old writer wearing reading spectacles]
- 03:48
learn about in a few minutes William Carlos Williams this guy and
- 03:53
Ernest Hemingway so clearly he was pretty awesome poet in his own right or
- 03:57
at least people respected what he had to say about the art of writing Pound studied
- 04:01
and drew from ancient Asian literary traditions and came up with his own [Paper of asian writing]
- 04:05
translations of classical Chinese and Japanese pieces of writing he was into
- 04:10
the music like flow of ancient writings and sought to mimic that rhythm in his
- 04:15
[lots of people dancing] own work with a modernist twist of course some of pounds poems are crazy
- 04:20
long and since we don't have time to read those epic contributions to the
- 04:23
world of poetry we'll go with couple shorter ones while this first
- 04:26
[Poem written on a piece of paper] poem is called in a station of the Metro believe it or not this is the whole poem
- 04:31
in a station of the Metro the apparition of these faces in the crowd
- 04:35
petals on a wet black bough and that's it no really that's the whole poems not
- 04:40
kidding well the beauty of this baby comes in its simplicity [laughing baby in a basket]
- 04:43
remember how pound came up with something called imagism how strikingly
- 04:48
simple but awesome are the images in the poem we just read and only 14 little
- 04:53
words pound is able to paint a gorgeous picture in the readers head well look [Pound painting a picture inside a head]
- 04:58
closely at the words he chose apparition another word for ghost
- 05:02
so the apparition of faces is like an unclear picture no one face stands out
- 05:06
from the rest then we get to petals on a wet black bow well because he makes a
- 05:11
point to say that the bough or tree limp is black the reader can assume that the [pink and white petals on a tree]
- 05:16
petals are a light color white or maybe pale pink you know kind of like human
- 05:21
skin so the black bow becomes the background of the metro station and the
- 05:25
petals are light colored faces that all flow together until they commingle into
- 05:29
one central image the point of this poem imagism [stamp of imagism]
- 05:32
describing an otherwise commonplace scene in a beautifully poetic way
- 05:36
alright let's take a look at another of pounds main works the river merchants
- 05:40
wife a letter that's quite a bit longer than Metro so you need to pause the
- 05:46
video to read it go for it one day [mumbles]
- 05:54
[mumbling]
- 05:59
[mumbling]
- 06:04
all right in a nutshell this poem is about a wife of a merchant who misses [a woman sailing on a boat]
- 06:09
her husband and writes him a little note reminiscing over how they met and
- 06:12
what their relationship has been like so far perhaps the most striking symbol or
- 06:16
image that stands in for something else that runs throughout the poem is time [a clock with time going by quickly]
- 06:21
the narrator calls back memories that she shared with her husband when they were
- 06:25
two small people when she stopped scowling and says that she desired my
- 06:30
dust to be mingled with yours and when her husband dragged his feet when he had
- 06:36
to leave her to go to work time is represented through these memories since [woman dreaming of past memories]
- 06:40
the narrator is recalling specific things that happened to the couple when
- 06:44
they were younger she gives the reader a brief timeline of the couple's
- 06:47
relationship pound uses imagery in the use of memories to tell a story
- 06:51
this poem is actually Pounds attempt at recreating what he determined was a
- 06:55
[painting of a chinese woman] letter from a woman to her husband in eighth century China Pound didn't attend
- 07:00
to literally translate the writing but used his own poetic license to make it
- 07:04
his own so there's a lot more we could say about pound in his incredible poetry [a talking blue phone box]
- 07:07
let's turn now to one of the poets Pound helped really make a name in a poetry
- 07:11
game Robert Frost well Frost is best love for
- 07:15
his nature poetry and has since become an even bigger name in the world of [JFK, Jackie Kennedy and Robert Frost sitting at a ceremony]
- 07:19
poetry than pound was a farmer turned poet Frost wasn't interested in
- 07:24
inventing new and unusual ways to write poetry instead he drew from and wrote
- 07:29
about what he knew because of his personal experience as a farmer in New [A Robert Frost book on a shelf]
- 07:32
England and well people just gobbled it up Frost won a mind-boggling four
- 07:37
Pulitzer Prizes for four of them in his lifetime it was so good that many lines
- 07:42
from his poems have been quoted used as song lyrics and emblazoned on placards
- 07:46
that people actually hang in their kitchen
- 07:48
possibly Frost's most famous work though it's up for debate is the road not
- 07:54
taken' here we go and I two roads [mumbling]
- 07:59
[mumbling]
- 08:04
[more mumbling]
- 08:06
[mumbling so the road not
- 08:10
taken' is probably one of the best-known poems in the history of American poetry [people sitting on a bus reading a poem]
- 08:15
it might even be the top dog in the pile of poems everyone knows and loves
- 08:18
as I said Frost was really into nature and it shows up in one way or another in
- 08:23
pretty much every one of his poems well the road not taken' is no exception to
- 08:27
this rule from line one of the poem we're hit with nature imagery giving us the
- 08:31
setting of a poem two roads diverged in a yellow wood well not only do we know [a man walking in the woods]
- 08:37
that the speakers in the woods somewhere we know that the trees are yellow which
- 08:41
likely means it's autumn in a symbolic way this could mean that speaker is
- 08:45
about to make a big life decision in the autumn season of his life as they're you [someone thinking about making a decision]
- 08:50
know approaching old age well a few lines later we are told that one of the
- 08:53
roads bent in the undergrowth which shows us that the woods are pretty darn
- 08:58
thick or is it that the speaker's big life decision is a tough one and will be [pizza or a salad]
- 09:02
hard to navigate in the second stanza the speaker is weighing the options
- 09:06
between the two paths one is more worn used and the speaker thinks that well
- 09:12
the less used path would be a better try it could be insinuating the speaker's [hand choosing the salad over the pizza]
- 09:16
contemplating making the decision that most people don't or wouldn't make given
- 09:20
the same set of circumstances in this way frost is setting the speaker apart
- 09:24
from the norm and without directly saying so is making the speaker [an empty plate of food]
- 09:28
something of a unique character in the final stanza the speaker repeats the
- 09:32
initial lines from the poem and left the reader in on their decision two roads
- 09:36
diverged in a wood and I took the one less traveled by and that has made all
- 09:41
the difference while as readers we aren't given the information about [highlighted section of the poem]
- 09:44
whether or not the road traveled was the most fun or the easiest choice frost
- 09:48
writes that has made all the difference well choosing the one less traveled by
- 09:53
was significant in changing the speaker's life whether for better or [a man walking in the woods]
- 09:56
worse we don't know but it's certain that this monumental decision held sway
- 10:00
over the remainder of the speaker's days it would be easy to chill with frost so
- 10:05
we did there for the rest of the day but instead
- 10:07
we're going to turn now to the Lady of modernism Elizabeth Bishop
- 10:12
As a youngster Bishop lost her dad and mom to death and mental illness respectively
- 10:16
she had to live with whatever relative would take her in [woman answering the door to another woman]
- 10:18
which caused her to have to you know move around a lot as an adult
- 10:22
Bishop continued traveling and was lucky enough to be able to see a good chunk of [train travelling past a platform]
- 10:25
the globe in her lifetime born in Massachusetts she spent several years
- 10:29
living in Brazil with her lover Lota de Macedo Soares after Soares killed [A headstone]
- 10:35
herself Bishop moved back to the US and started
- 10:38
working at of course Harvard she won a Pulitzer Prize and a National Book Award
- 10:43
[a newspaper with a womans picture] for her collection of poetry which are often said to be place poems or poetry
- 10:47
that intensely focuses and describes a particular setting well Bishop's poetry
- 10:52
also contains themes derived from her real-life love loss her identity as a
- 10:56
woman a lesbian and an orphan I'll take a couple of minutes now and read filling [filling station poem written on paper]
- 11:02
station [mumbling]
- 11:08
[mumbling]
- 11:12
[still mumbling]
- 11:18
okay first of all don't hate the speaker yeah
- 11:22
[woman standing in a factory yard] they sound kind of snooty at the beginning but give them a chance how the
- 11:26
speaker gives us the imagery of this place is what really sets this poem
- 11:29
apart from the others there are super observant to observer and as a reader
- 11:34
we're left with a really clear picture about really oily gas-station the [a woman reading in an oily gas station]
- 11:38
speaker repeats and repeats and repeats how oil soaked and dirty everything is
- 11:43
from the station itself to the dad and his son to the grease impregnated
- 11:47
wickerwork on the couch even the family dog gets the speaker's dirty observation [dog napping on a chair]
- 11:52
oh right about when we're sick and tired of hearing the speaker go on and on about
- 11:56
all the nasty mess they see suddenly there's a breakthrough a human element
- 12:00
reaches through all of that dirt and grime to allow the speaker to understand [a sewing machine]
- 12:04
somebody embroidered the doily somebody waters the plant you know what had
- 12:10
started out as a snide condemnation of the way people kept up the appearance of
- 12:14
their business has shifted gears the speaker is able to connect an actual [dad and son getting oil at the station]
- 12:18
person with all of the simple things they've been describing which seems to
- 12:22
change the entire tone of the poem the concluding line somebody loves us all
- 12:27
seems to indicate that while the speaker might be appalled by the dirt and oil
- 12:31
covered everything they're observing it's
- 12:33
filling station this is still someone's place of business it's their home and
- 12:37
[a talking blue phone box] being rude with judgment doesn't really serve anyone well modernism might have
- 12:42
been a fleeting period in literary history but it made a huge impact on
- 12:45
contemporary writers many of the greatest writers came from this era and
- 12:49
poured out their fragmented nature love and image filled little hearts all over the page without modernism we couldn't have post-modernism the incredibly [bin being emptied]
- 12:57
awesome literary movement we're all living in right now
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